“Selections from “The Wall” used in extensive essay on my work in world renowned critic, Maria Damon’s Bagel Shop Jazz: Poetics for a Post-Literary “America”. University of Iowa Press, 2010.
“In the Shadow of Desire: Charles Bernstein’s Shadowtime and its Kabbalistic Trajectories” and Kabbalistic Traces in the work of Adeena Karasick” in Radical Poetics and Secular Jewish Culture. Ed. Stephen Paul Miller and Daniel Morris, University of Alabama Press, 2009.
“Shards of Light: A Conversation with bill bissett” in Canadian Theater Review. Ed. T.L. Cowan. 2008.
“The Wall” in Poetry and Cultural Studies: A Reader. Ed. Maria Damon.Wesleyan University Press, (Minnesota, Spring, 2005)
“Towards a Poetics of the Spoken Word” in The Last Salt. Ed. Sean Minogue, (2004).
“bill bissett: A Writing Ouside Writing”, in bill bissett: Essays on His Works. Ed. Linda Rogers.Guernica (Toronto, 2002).
“Poetic Fugues” in How2 Forum 6 (Spring 2001).(
“Writing Through the Grapheme as Social Commodity” in How2 Forum 5, Spring, 2001. (
“Between the Sacred and the Secular: Cixous, Derrida and the Kabbalah” in Interpretation of Texts, Sacred and Secular. Eds. Pierre Buhler and Tibor Fabiny, Pano Verlag, Zurich, Centre for Hermeneutical Research (1999).
“Shekhina: The Speculum that Signs”, in Nashim. Number II, Jerusalem (Spring 5759, 1999).
“bill bissett: A Writing Ouside Writing”, in The Capilano Review, Vancouver (October, 1997).
"Of Poetik Thinking: A 'Pataphysical Exploration of Derrida and the Kabbalah" in Impratur (Luton, 1996).
"Hautécouture: Refracting the Spoken Word Frequency" in Parallelogramme. Vol. 20. No. 3 (Toronto: December, 1994).
"N(or)th of Ar(c)ticulation" in A Poetics of Criticism (Buffalo, 1994).
"Poetix" in Writing for the New Coast Anthology (Buffalo, 1993).
"The Empress Has No Closure" in Open Letter. (Redrawing the Lines: the Next Generation) Eighth Series, No. 4: Summer, 1992.
"Paralog" in In the Midst (Warren Tallman Writings 1962 - 1992), Talonbooks: Vancouver, 1992. pp. 283-319.
"Tract Marks: Echoes and Traces in the Toronto Research Group" in Open Letter. Canadian? Literary? Theory?) Eighth Series, No. 3: Spring 1992.
"In the Force of Desire" in West Coast Line: The New Vancouver Writing Issue: No.1, 1990.
"Neo-Modern Is Coming On: A Dialogue" in Line Magazine. No. 14, 1989.
"In the Rock's Cleft" in Tracing the Paths: Reading / Writing the Martyrology. Ed. Roy Miki. Talonbooks: Vancouver, 1988.



“My Love is Like a Fine, Fine Wine” in Voices Israel 2010 Volume 36, (Eds. Michael Dickel and Sheryl Abbey, 2010).
“You are Advised” in The Portable Boog Reader 3: An Anthology of New York City Poetry, (Ed. Jim Behrle, David Kirschenbaum, Spring, 2009).
“Echographies” in Future Welcome: The Moosehead Anthology X, (Ed. Todd Swift. D.C. Books, 2006).
“After the Anti Oedipus” in In Our Own Words: A Generation Defining Itself, (Ed. Marlow Peerse Weaver, MW Enterprises, 2005).
“in the amplifying cave” and “what it really comes down to is…” in Hysteria, (Ed. Jennifer Savran. LunaSea Books, Summer, 2003).
“In the Empire of Grief.II” in Short Fuse, (Ed. Todd Swift, Paris, France, October, 2002).
“Ambit. Ardour. Orders: A Poetics of Polymedial Pasties in side/lines: A New Canadian Poetics (Ed. Rob Mclennan, Insomniac Press, Toronto, 2002).
“Belle L’être” in Vox Populi, Ed. Danika Dinsmore. Seattle, April 2002.
“from The Arugula Fugues” in The Portable Booglit Reader, (Ed. David Kirschenbaum, New York, NY, November, 2000).
“Mumbai-Ya” in DC Anthology, (Ed. Allison Cobb, Jen Coleman, Washington, DC, December, 2000).
“Telephone Talk” in Sisters of the Extreme: Women Writing on the Drug Experience, (Ed. Cynthia Palmer and Michael Horowitz. Park Street Press, Rochester Vermont, 2000)
“Mellah Marrano” in Contemporary Verse 2: Canadian Women’s Writing at Century’s End. Vol. 23 No.1 (Summer, 2000).
"Genrecide" in Poetry Nation: A North American Anthology of Fusion Poets. (Ed. Regie Cabico and Todd Swift. Vehicule Press, Quebec, 1998).
"From Genrecide" in Carnival: Scream in High Park Reader (Ed. Peter McPhee. Insomniac Press: Toronto, 1996).
"Telephone Talk" in Revival: Spoken Word from Lollapalooza 94. Ed. Juliette Torrez, Liz Belile, Mud Baron, Jennifer Joseph. (Manic D Press: San Francisco, 1995).
From "Cut Throat" in Front Lines Anthology of Action Poetry. Vol. I. (Banff: April, 1994).
"Bad" in Front Lines Anthology of Action Poetry. Vol. II. (Banff: April, 1994).
"Poetix" in Writing for the New Coast Anthology (Buffalo, 1993).


Karasick, Adeena (with Maria Damon), “Intertextile: Text in Exile: Shmata Mash-Up A Jewette for Two Voices in Habits of Being, University of Minnesota Press, Ed. Paula Rabinowtiz, 2012 and in Open Letter # 20 (Collaborations Issue). Ed. Karl Jirgins. Windsor, ON, 2012.
“This Poem” Part 2” in Numero Cinq (Ed. Douglas Glover, New York, 2012).
"From Dyssemia Sleaze" in "Slovo 4" (Ed. Gleb Komoiets, Smolensk Russia), 2011.
“Selections from “The Wall” used in extensive essay on my work in Maria Damon’s Bagel Shop Jazz: Poetics for a Post-Literary “America”. University of Iowa Press, 2010.
"From Dyssemia Sleaze" in Slovo 4 (Ed. Gleb Komoiets, Smolensk Russia), 2011.
“Poemology” and “From the Feivel Gruberger Files: What Have you Done with My Kabbalah” in Critophoria: A Journal of Poetry and Criticism (Ed. Stephen Paul Miller, Dominick Casazza, Katherine Hazzard, Jan. 2011).
“This Poem” in Critophoria: A Journal of Poetry and Criticism (Ed. Stephen Paul Miller, Cecilia Wu, Dominick Casazza, Stephen Pasqualina and Mary Ann Miller, Dec. 2009).
“You Have Been Advised” and “My Love is Like a Fine, Fine Wine” in PRECIPICe: A Literary Journal 16.2 (Ed. Laura Comfort, St. Catherines, Ontario, June 2009).
“Book of the Letter: Homolinguistic Trans’elation of the Sefer Yetzirah in Chain (Ed. Juliana Spahr and Jena Osman, Jan. 2003).
“In the Empire of Grief: I” in The Capilano Review, (Ed. Carol Hamshaw, Vancouver, BC, Winter, 2001).
“The Arugula Fugues VI” in Pompom, (Ed. Susan Landers, Ethan Fugate, Allison Cobb, Jennifer Coleman, New York, NY, 2001).
“from Improbable Grammars” in Tessera, Volume 27, (Toronto, 2000).
"Poughkeepsie Plohound" in dig. - a journal of poetry, etc, (Ed. jennifer LoveGrove. dig/wayward armadillo press).
“And this is the letter” in Contemporary Verse 2. Vol. 21 No. 4 (Winnipeg, Spring 1999).
"Spectral Profanities" in Chain 6, (Ed. Jena Osman and Julianna Spahr. Buffalo UP: Buffalo, 1999).
“Solutio Lingua” in The Canadian Journal of Contemporary Literary Stuff. Issue 9. Vol.I (Toronto: October 1998).
"From Genrecide" in Tessera "Dispositions" Issue. Vol. 20, (Toronto: Summer 1996).
from "Prairis/cite Maintenance" in Prairie Fire. (Ed. Andris Taskins. Winnipeg: Spring 1996).
"Genrecide" in Chain 3/2: Hybrid Genres/Mixed Media. Vol. 3.2, (Ed. Jena Osman and Julianna Spahr. Buffalo UP: Buffalo, 1996).
From "Prairis/cite Maintenance" in Corridors, The Concordia Anthology. Vol II. Ed.Eric Williamson (Montreal: March, 1995).
"From Archetorture" in Big Allis: New York, 1991. Issue 4.
"From Archetorture" in Prism International: Vancouver, 1991.
Selections from "In Andean Passes" in Tessera. Vol. 8, Spring, 1990.
From "dis(emanations" in ARC. No. 11, Spring, 1986.
From "dis(emanations" in Arts Review. Winter, 1986.
From 1985 - 1990 Adeena was founding co-editor of Anerca: A Journal of Postmodern Poetry and Poetics


“From Dyssemia Sleaze” in Slovo 4 (Ed. Gleb Komoiets, Smolensk, Russia, 2011).
“Commatery” in Geist Magazine: Fact and Fiction. (Ed. Sarah Hillier. Vancouver, BC, January, 2010).
“This Is the Letter” EOAGH. Issue 5 (Ed. Tim Peterson, 2009).
“Amuse Bouche” in Rampike. Vol 17, No. 2 (Ed. Karl Jirgens, 2009).
“How to Be Brave in the State of George” in wordCave. No. 1 (Ed. Gurdeep Pandher, August 2006).
“Phat Freitag” in The Word Poetry Electronic Newsletter. Issue 23 (Ed. Adriadne Sawyer, Vancouver, August 2004).
“Glam Funk” in The Improper Hamptonian Magazine (Ed. Nada Kucharski, New York, June 2004).
“From The Arugula Fugues: The Arugula Fugitives: AUS DEN FUGEN” in Water. (Winter, 2003).
“Phat Freitag”, “After the Anti-Oedipus” and “Poetics 2002” in Slingshot (Ed. Andrea Ryder, Dec. 2002).
“In the Mechanics of the S(ub)lime” in Belladonna*15, (Ed. Rachel Levitsky, New York, Fall, 2001).
“The Arugula Fugues VII” in Vallum, (Ed. Todd Swift, Montreal, Quebec, 2001.
“The Arugula Fugues V” in Booglit, (Ed. David Kirschenbum, New York, NY, Issue 3, Chanukah 2000).
"Mehaneh Yehuda II" in NewMuse of Contempt, (Ed. joe blades), Winter 1999, vol 12, # 2.
"Mehaneh Yehuda III" in filling station, (Ed. derek beaulieu.), December 1999.
"Mehaneh Yehuda II" and "Cuadrilla Cadré” in in grave ink (vol.1#2).
“Cuadrilla Cadré” in Kairos 11.
“Phalanx Swank” in Seeds. Vol. 4 Issue I (Ed. Richard Grove. Hidden Brook Press: Toronto, 1997).
"From Genrecide" in Agent: Broken Word Manual. Vol.I No.I (Ed. Dan Mitchell and Jake Brown: Montreal, Spring, 1996).
"Flank" in The Link. Vol.16, No.36, (Montreal: March, 1996).
"Opine Sagely" in The Link. Vol.16, No.33, (Montreal: Feb. 1996).
from "Genrecide" in The Link. Vol.16, No.33, (Montreal: Feb. 1996).
"Genrecide" and "Floruit Retinue" in index. Ed. Trish Salah (Montreal: Dec. 1995). Belile, Mud Baron, Jennifer Joseph. (Manic D Press: San Fransisco, 1995).
"Prairis/cite Maintenance" in Filling Station. (Calgary, 1995)
"Ululate Pollulation" in Pawn. Vol II. No 1. Ed. Lee Gotham. (Montreal: Spring 1995).
From "Cut Throat" in Oversion. Ed. John Barlow. (Toronto: March, 1994).
From "Genrecide" in DaDaBaby 4. (Semirotic issue). Ed. Jamie Reid. (Vancouver: April, 1994).
"Poetix" in SinOverTan. Ed. Michael Holmes and Bill Kennedy. (Toronto: April 1993).
"from Mêmewars" in Caberet Vert. Ed. Learn/Yates. (Toronto: March 1993).
"mid kaddish" in Rampike: Toronto, 1991. Vol. 3:7.
"blissed out on the path" in Bite. Vol. 1 No. 2, 1986.